Touring · Festivals · Immersive · Events · Experiences

We liveit.

Stay independent. Grow like a giant.

Living Live creates, designs, builds and operates a global network of independent live companies. Artists, crews and festivals scale worldwide, keep more of the money, and keep their name, their crew and their decisions.

Why now

Live is growing. Independents are paying for it.

84%

of UK independent artists say they cannot afford to tour.

Ditto Music survey, 2025
43

UK festivals cancelled, postponed or closed in 2025.

Association of Independent Festivals
30%+

rise in festival supply costs since 2019, and up to 80% in some areas.

AIF via Ticket Tailor, 2026

The money and the companies in live are moving to the top. We build for everyone else.

What we do

Five crafts. One network.

01

Artist tour development

Live career strategy, tour money plans, routing with your agent, marketing, show design and festival seasons.

02

Growth, funding and scale

For creative, design and production companies: win work, find funding, reach new countries and keep your company.

03

Tour and production management

Tour managers and production managers, budgets, advancing and settlement, show by show.

04

Supply chain

Shared buying across the network, vetted suppliers, and new suppliers where a region has gaps.

05

Operations, logistics and engineering

Freight, travel, visas, power, rigging, structures, technical design and safety.

Touring

Tours planned to make money before the first date is confirmed.

Festivals

Festival seasons for artists. Stages, crews and supply for festivals.

Immersive

An artist's world built as a room fans walk into, and taken on the road.

Events

Launches, brand spaces and experiences, built by independent crews.

Who we work with

Both sides of the show.

Artists, managers, labels, agents

Tours that pay, and a live career that grows.

We plan the whole tour: the money, the route, the show, the crew and the marketing. Booking stays with your agent.

Start with a Tour Health Check

We rebuild your last tour, find where the money went, and plan the next one to come home ahead.

Independent live companies

Grow like a group. Stay your own company.

Sound, light, video, staging, scenic, crew, logistics and creative studios: more work, shared buying, funding and partners worldwide.

Start with a Company Benchmark

How your business compares with your peers, and a plan to grow on your terms.

Festivals, venues, brands

Reliable production at a fair cost.

Independent crews for a stage or a whole site, shared supply buying, and new talent from our artists.

Start with a Festival Supply Review

One stage's production and supply costs, line by line, with the savings we can find.

US Entry

Coming to America? Start twelve months out.

For acts from the UK, Asia and Australia. We cover the whole US, with a focus on the Midwest rooms many international tours skip.

12 mo

Regular processing for an O-1 artist visa has grown to a little over a year.

NPR, July 2026
$2,965

Premium processing fee for O and P visas from 1 March 2026.

Ellis guide, 2026
US Entry · what we coverCoast to coast
01Plan

Cities, rooms and season for your first US run, with your agent.

02Visas

Timeline and budget from month twelve, with licensed immigration counsel.

03Money

US tour budget, withholding tax, currency and home country export funding.

04Crew

US crew, backline and production from the network, so you fly light.

05Run

Tour management, advancing, buses, freight and settlement.

Midwest rooms we route through: Riviera Theatre and Vic Theatre, Chicago · First Avenue, Minneapolis · The Pageant, St. Louis · Midland Theatre, Kansas City. We do not give legal advice; licensed counsel files every petition.

How it works

Read it like a day sheet.

Day sheet · Living LiveAll times local
10:00Load in

A short call and a free check: your tour, your company or your stage.

14:00Soundcheck

A fixed price review. You see the numbers, where money is lost and what we can change.

19:00Doors

The plan: route, budget, crew, suppliers and funding, in one place.

21:00Show

We run it with you, through the network, anywhere in the world.

23:30Settlement

Every cost checked, every number reported. You keep more, and the next show starts sharper.

What stays yours

Scale is the point. Control stays with you.

Your name.
Your crew.
Your decisions.
Your data.

About

Built by the founder of Tour Pro and ARE.

Antony Randall has spent more than twenty years building live shows, from sound and technical direction on London stages to tour management companies and international production on tours and festivals around the world.

Living Live brings that experience to independents, with a small team running on our own AI platform. It handles the money plans, routing, budgets, supplier matching, shared buying, advancing and reports, so our overhead stays low and more of the money stays with you.

Money plansRoutingBudgetsSupplier matchingShared buyingAdvancingSettlement

Talk to us

Tell us about your next show.

One message is enough. We reply within two working days.

Email: hello@livinglive.live

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